Production

Weird snowblower not included.

Weird snowblower not included.

If you’re needing a backing band, you’ve found one. If you just need some flair put on your solo project, we are your place.

So, what do I mean that I can produce your tracks?

Through the magic of modern technology, years and years of playing and creating music, and a solid working relationship with you and my network of professional musicians, I am able to be that driving force that can finish your record. You can have as much or as little input as you’d like in the creation of your tracks. Want to just play your parts, then have me go at it? Groovy. Wanna take 5 years on your masterpiece, but need a second set of hands? I’ve got 2 right here that I just happen to be typing this with right now!

But enough yapping. Hear some samples of Thirtyfour Audio production.

The below songs were mostly produced by Thirtyfour Audio, with input from the original artist at every step of the way. Please see the notes on each track to indicate what to listen for.


Tie Dyed Hibernating

Charlie and I spent a day in his apartment. We recorded 9 songs in about 12 hours, which I then took back to the lab and turned into a full-fledged album. Charlie recorded the parts that he had written, including vocals, backing vocals, acoustic and electric guitars, ukelele, and keyboards. I later added secondary guitars, bass, drums, and light backing vocals, as well as mixing and mastering his album “Low Notes.”

Here are 3 sample tracks from this album.

“Pocket Knife” and “Taking Steps - Part One” are examples of full production that was done by Thirtyfour Audio. Charlie provided the vocals and an electric guitar signal (I actually took a dry signal direct in, as well as putting an SM57 on a 10w amp he had), which was run through guitar processing later. Wind Chimes is only Charlie, produced by TDH and Thirtyfour Audio.

The Electric Polygamy Infection

Memo 9 and Timeless are 2 songs which were recorded several years apart. These were recorded in the living room of the songwriter, Tom. Both feature full production by Thirtyfour Audio. Tom played acoustic and electric guitars and sang on both of these tracks. Thirtyfour Audio contributed bass, electric guitars, drums, and backing vocals, as well as production with Tom. Memo 9 also features guest vocalists Steve and John.

The Greater London City Council

TGLCC is the house band of Thirtyfour Audio. What does this mean? I suppose I can peel back the curtain a bit here and let you in on the secret. I mean, you made it this far down and are still reading this. I am TGLCC. The Greater London City Council is 100% the guy behind Thirtyfour Audio, Blaine. A few songs were done with Blaine’s friend John (“The Banana” among the most noteworthy). But these are another example of the production style and capabilities of Thirtyfour Audio.

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